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/ /guelman.ru / 07 2019
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Safety is one of the basic human needs and it was in Russias theatrical institutions that people began to truly pay attention to this fact. Hanging up evacuation plans, designating exits from the hall with luminous signs, warning about the rules of conduct in case of emergency; the ...  >
/ The Theatre Times / 02 2019
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While some theatre experts are still discussing whether there is a place for full-fledged plots and narratives in the contemporary theatre, director Jette Steckel and Thalia Theatre argue convincingly that any piece of literature, despite its volume and size, can be transformed into ...  >
/ The Theatre Times / 31 2019
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/ / 30 2019
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The guest performance of the Olonkho Theatre from Yakutia in St. Petersburg as part of the Theatre Olympics was preceded by a funny story that became a meme in Russia. Yakut shaman Aleksandr Gabyshev had been walking to Moscow to exorcise the president out of the Kremlin. He had co ...  >
/ The Theatre Times / 26 2019
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The Olympics is a paradoxical phenomenon. On the one hand, it lives in a spirit of competition and rivalry. On the other hand, it is a symbol of peace. Indeed, at the time of the Olympic Games in Ancient Greece, a sacred truce was established. People rested from war and strife. The I ...  >
/ The Theatre Times / 18 2019
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/ https://guelman.ru / 08 2019
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/ ClassicalMusicNews.Ru / 27 2019
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On the 18th of February at the Stanislavsky Electrotheatre a presentation of a book by Anne Hartmann titled I Came, Saw, I Will Write. Lion Feuchtwanger in Moscow in 1937 (Wallstein Verlag, 2017) took place. The event was held in commemoration of the recent 60th anniversary of the de ...  >
/ Conflict zones The Online Theatre Magazine by the UTE / 06 2019
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During the New Year countdown, looking back on the old year, we normally indulge in reverie about the year to come. Trying to forget all the bad things, to leave all the failures behind, hoping the coming year will be better and more successful than the one we leave behind. 2019 was ...  >
/ Critical Stages / 05 2019
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/ Russian Chicago / 02 2019
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Theatre du Soleil
/ / 21 2019
Kanata Episode 1 la Controverse (Theatre du Soleil, Paris, 2019)
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/ / 17 2019
Powder her face (Teatr Wielki Opera Narodowa, Warsaw, 2015)
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